Canon RF 50mm f1.8 STM Lens (Canon RF)
৳ 26,500.00
The Canon RF 50mm f/1.4 L VCM is a professional standard-prime lens in Canon’s RF mount lineup, featuring a bright f/1.4 maximum aperture and hybrid autofocus motors (Nano USM + Voice Coil Motor) optimized for both still photography and video — delivering excellent image quality, smooth bokeh, and refined control in a durable L-series design.
| Feature | Details |
| Focal Length | 50mm (80mm equivalent on APS-C cameras like R10/R50) |
| Max Aperture | f/1.8 |
| Optical Design | 6 Elements in 5 Groups (1 PMo Aspherical) |
| Aperture Blades | 7 (Rounded) |
| Min. Focus Distance | 0.3 m (11.8 inches) |
| Max Magnification | 0.25x |
| Filter Diameter | 43 mm |
| Weight | ~160g (5.6 oz) |
The Canon RF 50mm f/1.4 L VCM is a versatile standard prime lens designed for Canon EOS R-series mirrorless cameras (full-frame and APS-C). As part of Canon’s L-series “hybrid” prime family, it blends traditional photographic performance with video-oriented control features, making it suitable for photographers and videographers alike.
Optical and Imaging Performance
With its 50 mm focal length and a wide f/1.4 aperture, this lens delivers strong low-light performance, shallow depth-of-field control, and smooth, pleasing bokeh — ideal for portraits, environmental portraits, street photography, and general use. Its optical construction features 14 elements in 11 groups, including one UD (Ultra-Low Dispersion) and two aspherical elements to reduce aberrations and provide excellent sharpness and contrast across the frame. Advanced lens coatings such as Air Sphere Coating (ASC), Super Spectra Coating (SSC), and fluorine coating help suppress flare and ghosting for improved image clarity in challenging lighting conditions.
Autofocus and Video-Friendly Features
The lens employs a hybrid focusing system combining Nano USM and a Voice Coil Motor (VCM), enabling fast, smooth, and near-silent autofocus suitable for both stills and movie recording. The design also incorporates a manual iris control ring for smooth aperture adjustment during video capture, which is particularly useful for filmmakers and hybrid shooters.
Handling and Build
Built to L-series standards, the lens features robust weather resistance to help protect against dust and moisture, making it suitable for field use. A custom control ring and lens function button add versatility for adjusting settings quickly without navigating menus.
Key Specifications
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Focal Length: 50 mm (standard)
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Maximum Aperture: f/1.4
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Minimum Aperture: f/16
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Lens Mount: Canon RF (full-frame & APS-C)
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Optical Design: 14 elements in 11 groups (1 UD, 2 aspherical)
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Coatings: Air Sphere Coating (ASC), Super Spectra Coating (SSC), Fluorine coatings
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Autofocus: Nano USM + Voice Coil Motor (VCM)
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Aperture Blades: 11 (rounded)
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Minimum Focus Distance: ~0.40 m (40 cm / ~15.7 in)
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Maximum Magnification: ~0.15×
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Angle of View (Diagonal): ~46°
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Filter Thread: 67 mm
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Dimensions (Diameter × Length): ~76.5 × 99.3 mm
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Weight: ~580 g
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Weather Sealing: Yes
Who It’s For
The Canon RF 50mm f/1.4 L VCM is ideal for:
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Portrait and lifestyle photography: Natural perspective with strong subject isolation.
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Low-light shooting: Bright aperture enables faster shutter speeds and better performance in dim environments.
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Hybrid shooters: Manual iris control and smooth autofocus are beneficial for cinematic video workflows.
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Everyday creative use: A versatile focal length for general photography, street, and documentary work.
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| Feature | Details |
| Focal Length | 16–50 mm (24–75 mm Full-Frame Equivalent) |
| Lens Mount | Sony E-mount (APS-C) |
| Maximum Aperture | f/3.5 (Wide) – f/5.6 (Tele) |
| Minimum Aperture | f/22 – f/36 |
| Angle of View | 83°–32° |
| Aperture Blades | 7 (Circular diaphragm) |
Sony E PZ 16-50mm f3.5-5.6 OSS Lens
| Feature | Details |
| Focal Length | 16–50 mm (24–75 mm Full-Frame Equivalent) |
| Lens Mount | Sony E-mount (APS-C) |
| Maximum Aperture | f/3.5 (Wide) – f/5.6 (Tele) |
| Minimum Aperture | f/22 – f/36 |
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| Feature | Details |
| Focal Length | 70–200 mm |
| Lens Mount | Sony E-mount (Full-Frame) |
| Maximum Aperture | f/2.8 (Constant) |
| Minimum Aperture | f/22 |
| Angle of View | 34°–12° 30' (Full-Frame) |
| Aperture Blades | 11 (Circular diaphragm for smooth bokeh) |
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| Feature | Details |
| Focal Length | 85mm |
| Lens Mount | Sony E-mount (Full-Frame) |
| Maximum Aperture | f/1.4 |
| Minimum Aperture | f/16 |
| Angle of View | 29° (Full-Frame), 19° (APS-C) |
| Aperture Blades | 11 (Circular diaphragm) |
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| Feature | Details |
| Focal Length | 135mm |
| Aperture Range | f/1.8 – f/16 |
| Lens Mount | Sony E (Full-Frame) |
| Optical Design | 14 Elements in 9 Groups (4 ED, 2 HR lenses) |
| Aperture Blades | 11 (rounded) |
| Minimum Focus | 0.72m (1:4 magnification ratio) |
| Focus Motor | HyperVCM (Voice Coil Motor) |
| Filter Thread | 82mm |
| Weight | Approx. 1,235g (2.7 lbs) |
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| Feature | Details |
| Focal Length | 35mm |
| Aperture Range | f/1.2 – f/16 |
| Lens Mount | Sony E (Full-Frame) |
| Optical Design | 15 Elements in 10 Groups (5 ED, 3 HR, 2 UA) |
| Aperture Blades | 11 (rounded) |
| Minimum Focus | 0.34m (13.4 inches) |
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| Filter Thread | 77mm |
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