Sony a7CR Mirrorless Camera (Black)
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Processor | BIONZ XR with Dedicated AI Processing Unit |
| Video | 4K 60p (10-bit 4:2:2) / S-Cinetone included |
| Stabilization | 7-Stop In-Body Image Stabilization (IBIS) |
| Autofocus | AI-based Real-time Tracking (Humans, Animals, Vehicles) |
| Screen | Side-opening Vari-angle Touch LCD |
| Weight | 430g (Body only - about 20% lighter than the a7R V) |
Sony a7R IV Mirrorless Camera
The Sony a7R IV was a landmark camera, being the first full-frame mirrorless to hit the 61-megapixel mark. While the a7R V (which we just discussed) has faster AI and a better screen, the a7R IV remains a favorite for many studio photographers in Bangladesh because it offers the same incredible 61MP resolution at a significantly lower price point.
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Video | 4K up to 30p (8-bit) |
| Dynamic Range | 15 Stops |
| Autofocus | 567 Phase-detection points with Real-time Eye AF |
| Stabilization | 5.5-Stop In-Body Image Stabilization (IBIS) |
| Viewfinder | 5.76 Million-dot UXGA OLED |
| Card Slots | Dual SD UHS-II Slots |
Sony a7R V Mirrorless Camera
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Processor | BIONZ XR + Dedicated AI Processing Unit |
| Video | 8K 24/25p / 4K 60p (10-bit 4:2:2) |
| Stabilization | 8-Stop In-Body Image Stabilization (IBIS) |
| LCD Screen | 4-Axis Multi-angle (Flips and Tilts) |
| Autofocus | AI-based Real-time Recognition (Humans, Insects, Vehicles) |
| Card Slots | Dual CFexpress Type A / SD UHS-II |
Sony a7S III Mirrorless Camera
The Sony a7S III is the industry-standard "low light king" and the foundation upon which cameras like the ZV-E1 and FX3 were built. While those newer models are specialized for vlogging or cinema, the a7S III remains the best choice for your shop if you need a professional hybrid that feels like a traditional camera but delivers world-class 4K video.
For your website, this camera provides the most reliable performance for long shoots, offering a high-resolution viewfinder and a robust build that can handle years of daily use in your e-commerce studio.
| Feature | Specification |
| Sensor | 12.1MP Full-Frame Exmor R CMOS |
| Video | 4K 120p / 10-bit 4:2:2 Internal |
| Dynamic Range | 15+ Stops (Incredible detail in shadows/highlights) |
| Viewfinder | 9.44 Million-dot EVF (The clearest in the world) |
| Autofocus | 759 Phase-detect points with Real-time Eye AF |
| Stabilization | 5-Axis In-Body (IBIS) |
| Card Slots | Dual CFexpress Type A / SD UHS-II Slots |
Sony Alpha A6400 Mirrorless Digital Camera (Body Only)
The Sony a6400 (Body Only) is the ultimate starting point for a professional mirrorless setup in 2026. While kit lenses are convenient, buying the body alone allows you to skip the basic "kit" glass and invest directly in a high-end lens (like a 35mm f/1.8 or a 16-55mm f/2.8) that will truly elevate your shop's "luxury" brand aesthetic.
| Feature | Specification |
| Sensor | 24.2MP APS-C Exmor CMOS |
| Autofocus | 0.02 sec Acquisition (425 Phase-detect points) |
| Video | 4K 30p (Oversampled from 6K) / S-Log3 & HLG |
| Screen | 180° Tilting Touchscreen (Perfect for vlogging) |
| Viewfinder | 2.36m-dot OLED Tru-Finder |
| Continuous | 11 fps (Mechanical) / 8 fps (Silent Shutter) |
| Battery | NP-FW50 (Approx. 360-410 shots) |
Sony E 16-55mm f2.8 G Lens
| Feature | Specification |
| Equivalent Focal Length | 24–82.5mm (Full-frame equivalent) |
| Aperture | Constant $f/2.8$ to $f/22$ (9-blade rounded diaphragm) |
| Autofocus | XD (Extreme Dynamic) Linear Motor |
| Min. Focus | 0.33m (1.09 ft) |
| Max Magnification | 0.2x |
| Weight | 494g (Solid but compact) |
| Filter Size | 67mm |
| Build | Dust and moisture resistant with Fluorine coating |
Sony FE 100-400mm f4.5-5.6 GM OSS Lens
The Sony FE 100-400mm f/4.5-5.6 GM OSS is a premier super-telephoto zoom in the G Master lineup. It is highly regarded for its exceptional sharpness and fast autofocus, making it a top choice for sports, wildlife, and even high-end compressed landscape photography.
| Feature | Specification |
| Aperture | $f/4.5$ at 100mm — $f/5.6$ at 400mm |
| Optics | 22 Elements in 16 Groups (1 Super ED, 2 ED elements) |
| Stabilization | Optical SteadyShot (OSS) with 2 modes |
| Min. Focus | 0.98m (3.22 ft) — Class-leading close-focusing |
| Weight | 1,395g (Light for a 400mm GM zoom) |
| Filter Size | 77mm |
| Teleconverter | Compatible with 1.4x (560mm) and 2.0x (800mm) |
Sony FE 135mm f1.8 GM Lens
The Sony FE 135mm f/1.8 GM is widely regarded as one of the sharpest lenses Sony has ever produced. It is a specialized telephoto prime designed for portrait photographers who want the ultimate background separation and "creamy" bokeh that the G Master series is famous for.
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (11-blade rounded diaphragm) |
| Autofocus | Dual front and rear XD Linear Motors |
| Optics | 13 Elements / 10 Groups (XA, Super ED, and ED elements) |
| Min. Focus | 0.7m (2.3 ft) |
| Max Magnification | 0.25x (Excellent for tight detail shots) |
| Weight | 950g (Substantial but balanced) |
| Filter Size | 82mm |
| Controls | De-clickable aperture ring, Focus range limiter, 2 Focus hold buttons |
Sony FE 16-25mm f2.8 G Lens (Sony E)
The Sony FE 16-25mm f/2.8 G is a modern, ultra-compact wide-angle zoom released in April 2024. It is the wide-angle counterpart to the 24-50mm G we discussed earlier. It provides a constant aperture in a body that is significantly smaller and lighter than any G Master wide-angle zoom.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (11-blade rounded diaphragm) |
| Autofocus | Dual XD Linear Motors (Silent, high-speed tracking) |
| Min. Focus | 0.18m (Wide) / 0.24m (Tele) — Excellent for close-ups |
| Max Magnification | 0.20x (AF) / 0.23x (MF) |
| Weight | 409g (Incredibly lightweight) |
| Filter Size | 67mm |
| Controls | Aperture ring (de-clickable), Focus hold button, AF/MF switch |
Sony FE 16-35mm f2.8 GM II Lens (Sony E)
The Sony FE 16-35mm f/2.8 GM II is the refined, second-generation ultra-wide zoom that forms the final piece of Sony’s "Holy Trinity" G Master v2 series. Released in late 2023, it improved upon the original by being smaller, lighter, and optically superior, making it a favorite for high-end landscape, architecture, and commercial work.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (11-blade circular diaphragm) |
| Autofocus | 4 XD Linear Motors (Blazing fast and silent) |
| Optics | 15 Elements / 12 Groups (1 ED, 1 Super ED, 3 XA elements) |
| Min. Focus | 0.22m (8.6 inches) throughout the zoom range |
| Weight | 547g (Approx. 20% lighter than the Mark I) |
| Filter Size | 82mm |
| Controls | Aperture ring (de-clickable), 2 Focus hold buttons, Iris lock |
Sony FE 16mm f1.8 G Lens (Sony E)
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (11-blade circular diaphragm) |
| Autofocus | Dual XD (Extreme Dynamic) Linear Motors |
| Min. Focus | 0.15m (AF) / 0.13m (MF) |
| Max Magnification | 0.25x (AF) / 0.30x (MF) |
| Weight | 304g (Extremely portable) |
| Filter Size | 67mm (Front screw-in compatible) |
| Build | Dust and moisture resistant with Fluorine coating |
Sony FE 20-70mm f4 G Lens (Sony E)
| Feature | Specification |
| Focal Length | 20–70mm (Starts wider than almost all competitors) |
| Aperture | Constant $f/4$ throughout the zoom range |
| Autofocus | 2 XD Linear Motors (Silent, high-speed tracking) |
| Min. Focus | 0.25m (Manual) / 0.30m (AF) |
| Max Magnification | 0.39x (Near-macro performance) |
| Weight | 488g (Surprisingly lightweight and compact) |
| Filter Size | 72mm |
