RODE SC4 3.5mm TRS Female to 3.5mm Right-Angle TRRS Male Adapter Cable for Smartphones
The RØDE SC4 is a high-quality shielded adapter designed to bridge the gap between professional microphones and mobile devices. Specifically, it allows microphones with a 3.5mm TRS output (like the RØDE VideoMic or Wireless GO) to connect to the 3.5mm TRRS input found on most smartphones and tablets.
| Feature | Details |
| Input Connection | 3.5mm Female TRS (for the microphone) |
| Output Connection | 3.5mm Male TRRS (for the smartphone/tablet) |
| Connector Type | Gold-plated, Right-Angle (TRRS end) |
| Shielding | High-quality shielded construction to prevent interference |
| Signal Handling | Combines left and right stereo channels into a mono signal |
| Weight | 20 g (0.7 oz) |
| Length | Approx. 170 mm (6.7 inches) |
RODE SC7 3.5mm Right-Angle TRS to 3.5mm Right-Angle TRRS Coiled Adapter Cable for Smartphone
The RØDE SC7 is a high-quality, shielded patch cable specifically designed to connect microphones with a TRS output (like the VideoMic GO, VideoMicro, or Wireless GO) to devices with a TRRS input (such as smartphones or tablets).
| Feature | Details |
| Output Type | 3.5mm TRS to 3.5mm TRRS |
| Connector 1 (TRS) | 3.5mm Male (Black Color, Right-Angle) |
| Connector 2 (TRRS) | 3.5mm Male (Grey Color, Right-Angle) |
| Cable Type | Coiled |
| Length | 170 mm (6.7") to 400 mm (15.7") |
| Contacts | Gold-plated for superior audio reproduction |
| Weight | 20 g |
RODE VideoMic GO II-H Ultracompact AnalogUSB Camera-Mount Shotgun Microphone
| Feature | Details |
| Acoustic Principle | Pressure gradient electret condenser |
| Polar Pattern | Supercardioid (Highly directional) |
| Frequency Range | 20 Hz – 20 kHz |
| Max SPL | 110 dB SPL |
| A/D Resolution | 24-bit / 48 kHz (In USB mode) |
| Equivalent Noise | 15 dBA |
| Weight | 33 g (Mic only) / 96 g (With mount & windscreen) |
RODE VideoMic Pro+ Camera-Mount Shotgun Microphone
| Feature | Details |
| Acoustic Principle | Line Gradient (Supercardioid) |
| Active Electronics | JFET impedance converter |
| Capsule | 0.55" (14 mm) |
| Frequency Range | 20 Hz – 20 kHz |
| Output Impedance | 200 $\Omega$ |
| Maximum SPL | 133 dB SPL |
| Sensitivity | -33.6 dB re 1 Volt/Pascal |
| Equivalent Noise | 14 dBA (A-weighted) |
RODE Wireless GO (Gen 3) 2-Person Compact Digital …ireless Microphone SystemRecorder (2.4 GHz, Black)
| Feature | Details |
| Acoustic Principle | Pre-polarized pressure transducer |
| Polar Pattern | Omnidirectional (Built-in and external) |
| Frequency Range | 20 Hz – 20 kHz |
| Maximum SPL | 123.5 dB SPL (Upgraded from Gen 2 for better clarity) |
| Signal-to-Noise Ratio | 72 dB |
| Bit Depth | 32-bit Float internal recording (Prevents digital clipping) |
Samyang 24-70mm f2.8 AF Zoom Lens (Sony E)
The Samyang AF 24-70mm f/2.8 FE (also branded as Rokinon in some regions) is a significant lens for the Sony E-mount system. It was Samyang's first all-purpose zoom lens, designed to provide the "Holy Trinity" 24-70mm range with a fast aperture at a much more accessible price point than the Sony G Master series.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (9-blade diaphragm) |
| Autofocus | Linear STM (Optimized for quiet, smooth video) |
| Optics | 17 Elements in 14 Groups (2 ASP, 1 HB, 3 HR, 3 ED elements) |
| Min. Focus | 0.35m (1.15 ft) |
| Weight | 1,027g (This is a heavy, robust lens) |
| Filter Size | 82mm |
| Custom Switch | Programmable for Aperture Control or Manual Focus |
Samyang 35-150mm f2-2.8 AF Lens (Sony E)
The Samyang AF 35-150mm f/2-2.8 FE is often called the "all-in-one" dream lens for wedding and event photographers. It is a direct competitor to the Tamron 35-150mm, offering a unique focal range that covers everything from a wide "storytelling" 35mm to a tight "portrait" 150mm, all while maintaining a very fast to aperture.
| Feature | Specification |
| Aperture | $f/2$ (at 35mm) to $f/2.8$ (at 150mm) |
| Optics | 21 Elements / 18 Groups (2 ASP, 1 HB, 3 HR, 6 ED elements) |
| Autofocus | Linear STM (Silent and smooth for video) |
| Min. Focus | 0.33m (Wide) / 0.85m (Tele) |
| Weight | 1,224g (A very heavy, professional-grade lens) |
| Filter Size | 82mm |
| Custom Features | 3 Focus hold buttons, Custom switch, Zoom lock |
Samyang AF 14mm f2.8 FE Lens for Sony E
The Samyang AF 14mm f/2.8 FE is one of the most popular entry-level ultra-wide-angle autofocus lenses for Sony full-frame cameras. It is a favorite among budget-conscious landscape and astrophotographers who want a dramatic wide field of view without the high cost of the Sony G Master series.
| Feature | Specification |
| Aperture | $f/2.8$ to $f/22$ (7-blade diaphragm) |
| Angle of View | 113.9° (Ultra-wide) |
| Autofocus | Linear STM (Quiet and smooth) |
| Min. Focus | 0.20m (7.87 inches) |
| Weight | 484g (Highly portable and lightweight) |
| Filter Size | Rear filter holder (cannot use front screw-in filters) |
| Build | Weather-sealed at the mount |
Samyang AF 35mm f1.8 FE Lens for Sony E
The Samyang AF 35mm f/1.8 FE is a standout member of Samyang's "Tiny Series." It is specifically engineered to balance high-end optical performance with an incredibly compact and lightweight form factor, making it a "match made in heaven" for compact full-frame cameras like the Sony A7C series.
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (9-blade rounded diaphragm) |
| Autofocus | Linear STM (Quiet and optimized for video) |
| Min. Focus | 0.29m (11.4 inches) |
| Weight | 210g (Extremely portable) |
| Filter Size | 58mm |
| Special Features | Weather-sealed (4 spots), Custom switch for aperture/MF control |
Samyang AF 50mm f1.4 FE II Lens for Sony E
The Samyang AF 50mm f/1.4 FE II is the second-generation evolution of Samyang’s first autofocus lens for Sony. Released to celebrate Samyang's 50th anniversary, this "Mark II" version is significantly smaller, lighter, and sharper than the original, making it a serious competitor to Sony’s own 50mm lenses.
| Feature | Specification |
| Aperture | $f/1.4$ to $f/16$ (9-blade rounded diaphragm) |
| Autofocus | Linear STM (Fast, quiet, and smooth for video) |
| Optics | 11 Elements / 8 Groups (2 ASP, 3 HR, 1 ED elements) |
| Min. Focus | 0.40m (1.31 ft) |
| Weight | 420g (Incredibly light for an $f/1.4$ lens) |
| Filter Size | 72mm |
| Controls | Custom switch, Focus hold button |
Samyang AF 85mm f1.4 EF Lens for Canon EF
The Samyang AF 85mm f/1.4 EF is a high-performance portrait prime specifically designed for Canon's DSLR ecosystem. It stands out by offering the "dream" 85mm combination—prized for its ability to isolate subjects with a shallow depth of field—at a significantly lower weight and price than the Canon L-series or Sigma Art alternatives.
| Feature | Specification |
| Aperture | $f/1.4$ to $f/16$ (9-blade rounded diaphragm) |
| Autofocus | Dual LSM (Ultrasonic Dual Linear Motor) |
| Optics | 9 Elements in 7 Groups (1 Hybrid Aspherical element) |
| Min. Focus | 0.90m (2.95 ft) |
| Weight | 485g (Remarkably light for an $f/1.4$ portrait lens) |
| Filter Size | 77mm |
| Build | Weather-sealed at the mount |
Sirui Aurora 85mm f1.4 Lens (Nikon Z)
The Sirui Aurora 85mm f/1.4 is a significant release for Nikon Z-mount users, as it represents Sirui’s first foray into high-end, full-frame autofocus portrait primes. It is designed to offer the "G Master" or "S-Line" experience—extreme background separation and sharpness—at a much more aggressive price point.
| Feature | Specification |
| Aperture | $f/1.4$ to $f/16$ (15-blade diaphragm for ultra-smooth bokeh) |
| Autofocus | STM (Stepping Motor) — Fast and nearly silent |
| Optics | 14 Elements in 9 Groups (includes ED, HR, and Aspherical glass) |
| Min. Focus | 0.85m (2.79 ft) |
| Weight | 540g (Remarkably light for an $f/1.4$ 85mm) |
| Filter Size | 67mm |
| Special Features | AF/MF Switch, Custom Button, Aperture Ring (De-clickable) |
