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Sony a7CR Mirrorless Camera (Black)
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Processor | BIONZ XR with Dedicated AI Processing Unit |
| Video | 4K 60p (10-bit 4:2:2) / S-Cinetone included |
| Stabilization | 7-Stop In-Body Image Stabilization (IBIS) |
| Autofocus | AI-based Real-time Tracking (Humans, Animals, Vehicles) |
| Screen | Side-opening Vari-angle Touch LCD |
| Weight | 430g (Body only - about 20% lighter than the a7R V) |
Sony a7R IV Mirrorless Camera
The Sony a7R IV was a landmark camera, being the first full-frame mirrorless to hit the 61-megapixel mark. While the a7R V (which we just discussed) has faster AI and a better screen, the a7R IV remains a favorite for many studio photographers in Bangladesh because it offers the same incredible 61MP resolution at a significantly lower price point.
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Video | 4K up to 30p (8-bit) |
| Dynamic Range | 15 Stops |
| Autofocus | 567 Phase-detection points with Real-time Eye AF |
| Stabilization | 5.5-Stop In-Body Image Stabilization (IBIS) |
| Viewfinder | 5.76 Million-dot UXGA OLED |
| Card Slots | Dual SD UHS-II Slots |
Sony a7R V Mirrorless Camera
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Processor | BIONZ XR + Dedicated AI Processing Unit |
| Video | 8K 24/25p / 4K 60p (10-bit 4:2:2) |
| Stabilization | 8-Stop In-Body Image Stabilization (IBIS) |
| LCD Screen | 4-Axis Multi-angle (Flips and Tilts) |
| Autofocus | AI-based Real-time Recognition (Humans, Insects, Vehicles) |
| Card Slots | Dual CFexpress Type A / SD UHS-II |
Sony a7S III Mirrorless Camera
The Sony a7S III is the industry-standard "low light king" and the foundation upon which cameras like the ZV-E1 and FX3 were built. While those newer models are specialized for vlogging or cinema, the a7S III remains the best choice for your shop if you need a professional hybrid that feels like a traditional camera but delivers world-class 4K video.
For your website, this camera provides the most reliable performance for long shoots, offering a high-resolution viewfinder and a robust build that can handle years of daily use in your e-commerce studio.
| Feature | Specification |
| Sensor | 12.1MP Full-Frame Exmor R CMOS |
| Video | 4K 120p / 10-bit 4:2:2 Internal |
| Dynamic Range | 15+ Stops (Incredible detail in shadows/highlights) |
| Viewfinder | 9.44 Million-dot EVF (The clearest in the world) |
| Autofocus | 759 Phase-detect points with Real-time Eye AF |
| Stabilization | 5-Axis In-Body (IBIS) |
| Card Slots | Dual CFexpress Type A / SD UHS-II Slots |
Sony Alpha A6400 Mirrorless Digital Camera (Body Only)
The Sony a6400 (Body Only) is the ultimate starting point for a professional mirrorless setup in 2026. While kit lenses are convenient, buying the body alone allows you to skip the basic "kit" glass and invest directly in a high-end lens (like a 35mm f/1.8 or a 16-55mm f/2.8) that will truly elevate your shop's "luxury" brand aesthetic.
| Feature | Specification |
| Sensor | 24.2MP APS-C Exmor CMOS |
| Autofocus | 0.02 sec Acquisition (425 Phase-detect points) |
| Video | 4K 30p (Oversampled from 6K) / S-Log3 & HLG |
| Screen | 180° Tilting Touchscreen (Perfect for vlogging) |
| Viewfinder | 2.36m-dot OLED Tru-Finder |
| Continuous | 11 fps (Mechanical) / 8 fps (Silent Shutter) |
| Battery | NP-FW50 (Approx. 360-410 shots) |
Sony BC-QZ1
The Sony BC-QZ1 Battery Charger is the dedicated high-speed charging solution for the NP-FZ100 Z-series battery. Unlike charging via a USB cable connected to the camera, this wall charger provides a much higher current, significantly reducing downtime for professional shooters using Alpha 7, 9, or 1 series bodies.
| Feature | Details |
| Compatible Battery | Sony NP-FZ100 Lithium-Ion |
| Charging Time | Approx. 150 minutes (2.5 hours) for a full charge |
| Input Voltage | AC 100–240 V, 50 Hz / 60 Hz (Worldwide compatible) |
| Charging Status | 3-stage LED indicator (0–50%, 50–80%, 80–100%, and Fully Charged) |
Sony BC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries
The Sony BC-ZD1 Dual-Battery Charger is a high-performance, compact charging solution released in late 2024. Designed specifically for professional workflows, it allows you to charge two NP-FZ100 batteries simultaneously using USB Power Delivery (USB PD) technology.
Unlike the BC-QZ1, which is a single-bay wall charger, the BC-ZD1 is powered via USB-C, making it ideal for travel and use with high-output power banks.
| Feature | Details |
| Simultaneous Charging | Charges two NP-FZ100 batteries at once |
| Charging Time | Approx. 155 minutes for a full charge of two batteries |
| Power Input | USB Type-C (Requires USB PD 30W or higher for dual charging) |
| Status Indicators | 5-step LED lamps for each battery to show precise progress |
| Safety | Built-in temperature monitoring and heat dissipation control |
Sony E 16-55mm f2.8 G Lens
| Feature | Specification |
| Equivalent Focal Length | 24–82.5mm (Full-frame equivalent) |
| Aperture | Constant $f/2.8$ to $f/22$ (9-blade rounded diaphragm) |
| Autofocus | XD (Extreme Dynamic) Linear Motor |
| Min. Focus | 0.33m (1.09 ft) |
| Max Magnification | 0.2x |
| Weight | 494g (Solid but compact) |
| Filter Size | 67mm |
| Build | Dust and moisture resistant with Fluorine coating |
Sony E PZ 16-50mm f3.5-5.6 OSS II Lens
The Sony E PZ 16-50mm f/3.5-5.6 OSS II (model SELP16502) is the updated successor to the classic kit lens, released alongside the ZV-E10 II in late 2024. While it maintains the same ultra-compact "pancake" form factor as the original, it features significant internal upgrades to autofocus tracking, video stability, and optical consistency.
| Feature | Details |
| Focal Length | 16–50 mm (24–75 mm Full-Frame Equivalent) |
| Lens Mount | Sony E-mount (APS-C) |
| Maximum Aperture | f/3.5 (Wide) – f/5.6 (Tele) |
| Minimum Aperture | f/22 – f/36 |
| Angle of View | 83°–32° |
| Aperture Blades | 7 (Circular diaphragm) |
Sony E PZ 16-50mm f3.5-5.6 OSS Lens
| Feature | Details |
| Focal Length | 16–50 mm (24–75 mm Full-Frame Equivalent) |
| Lens Mount | Sony E-mount (APS-C) |
| Maximum Aperture | f/3.5 (Wide) – f/5.6 (Tele) |
| Minimum Aperture | f/22 – f/36 |
| Angle of View | 83°–32° |
| Aperture Blades | 7 (Circular diaphragm) |
Sony FE 100-400mm f4.5-5.6 GM OSS Lens
The Sony FE 100-400mm f/4.5-5.6 GM OSS is a premier super-telephoto zoom in the G Master lineup. It is highly regarded for its exceptional sharpness and fast autofocus, making it a top choice for sports, wildlife, and even high-end compressed landscape photography.
| Feature | Specification |
| Aperture | $f/4.5$ at 100mm — $f/5.6$ at 400mm |
| Optics | 22 Elements in 16 Groups (1 Super ED, 2 ED elements) |
| Stabilization | Optical SteadyShot (OSS) with 2 modes |
| Min. Focus | 0.98m (3.22 ft) — Class-leading close-focusing |
| Weight | 1,395g (Light for a 400mm GM zoom) |
| Filter Size | 77mm |
| Teleconverter | Compatible with 1.4x (560mm) and 2.0x (800mm) |
Sony FE 135mm f1.8 GM Lens
The Sony FE 135mm f/1.8 GM is widely regarded as one of the sharpest lenses Sony has ever produced. It is a specialized telephoto prime designed for portrait photographers who want the ultimate background separation and "creamy" bokeh that the G Master series is famous for.
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (11-blade rounded diaphragm) |
| Autofocus | Dual front and rear XD Linear Motors |
| Optics | 13 Elements / 10 Groups (XA, Super ED, and ED elements) |
| Min. Focus | 0.7m (2.3 ft) |
| Max Magnification | 0.25x (Excellent for tight detail shots) |
| Weight | 950g (Substantial but balanced) |
| Filter Size | 82mm |
| Controls | De-clickable aperture ring, Focus range limiter, 2 Focus hold buttons |
Sony FE 16-25mm f2.8 G Lens (Sony E)
The Sony FE 16-25mm f/2.8 G is a modern, ultra-compact wide-angle zoom released in April 2024. It is the wide-angle counterpart to the 24-50mm G we discussed earlier. It provides a constant aperture in a body that is significantly smaller and lighter than any G Master wide-angle zoom.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (11-blade rounded diaphragm) |
| Autofocus | Dual XD Linear Motors (Silent, high-speed tracking) |
| Min. Focus | 0.18m (Wide) / 0.24m (Tele) — Excellent for close-ups |
| Max Magnification | 0.20x (AF) / 0.23x (MF) |
| Weight | 409g (Incredibly lightweight) |
| Filter Size | 67mm |
| Controls | Aperture ring (de-clickable), Focus hold button, AF/MF switch |
Sony FE 16-35mm f2.8 GM II Lens (Sony E)
The Sony FE 16-35mm f/2.8 GM II is the refined, second-generation ultra-wide zoom that forms the final piece of Sony’s "Holy Trinity" G Master v2 series. Released in late 2023, it improved upon the original by being smaller, lighter, and optically superior, making it a favorite for high-end landscape, architecture, and commercial work.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (11-blade circular diaphragm) |
| Autofocus | 4 XD Linear Motors (Blazing fast and silent) |
| Optics | 15 Elements / 12 Groups (1 ED, 1 Super ED, 3 XA elements) |
| Min. Focus | 0.22m (8.6 inches) throughout the zoom range |
| Weight | 547g (Approx. 20% lighter than the Mark I) |
| Filter Size | 82mm |
| Controls | Aperture ring (de-clickable), 2 Focus hold buttons, Iris lock |
Sony FE 16mm f1.8 G Lens
| Feature | Details |
| Focal Length | 16mm |
| Lens Mount | Sony E (Full-Frame) |
| Maximum Aperture | f/1.8 |
| Minimum Aperture | f/22 |
| Angle of View | 107° (Full-Frame), 83° (APS-C) |
| Aperture Blades | 11 (Circular diaphragm) |
Sony FE 16mm f1.8 G Lens (Sony E)
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (11-blade circular diaphragm) |
| Autofocus | Dual XD (Extreme Dynamic) Linear Motors |
| Min. Focus | 0.15m (AF) / 0.13m (MF) |
| Max Magnification | 0.25x (AF) / 0.30x (MF) |
| Weight | 304g (Extremely portable) |
| Filter Size | 67mm (Front screw-in compatible) |
| Build | Dust and moisture resistant with Fluorine coating |
Sony FE 20-70mm f4 G Lens (Sony E)
| Feature | Specification |
| Focal Length | 20–70mm (Starts wider than almost all competitors) |
| Aperture | Constant $f/4$ throughout the zoom range |
| Autofocus | 2 XD Linear Motors (Silent, high-speed tracking) |
| Min. Focus | 0.25m (Manual) / 0.30m (AF) |
| Max Magnification | 0.39x (Near-macro performance) |
| Weight | 488g (Surprisingly lightweight and compact) |
| Filter Size | 72mm |
Sony FE 20-70mm f4 G Lens (Sony E)
The Sony FE 20-70mm f/4 G is a groundbreaking lens that redefined the "standard zoom" category upon its release. By starting at 20mm instead of the traditional 24mm, it offers a significantly wider field of view (about 130% wider) while still reaching the portrait-standard 70mm.
| Feature | Specification |
| Aperture | Constant $f/4$ to $f/22$ (9-blade rounded diaphragm) |
| Autofocus | Dual XD (Extreme Dynamic) Linear Motors |
| Min. Focus | 0.25m (9.8") — Excellent close-up capability |
| Max Magnification | 0.39x (Near-macro performance at 70mm) |
| Weight | 488g (Surprisingly light for its range) |
| Filter Size | 72mm |
| Video Features | De-clickable aperture ring, Focus breathing compensation |
Sony FE 200-600mm f5.6-6.3 G OSS Lens
| Feature | Specification |
| Aperture | $f/5.6$ at 200mm — $f/6.3$ at 600mm |
| Optics | 24 Elements in 17 Groups (5 ED elements, 1 Aspherical) |
| Autofocus | Direct Drive SSM (DDSSM) — Fast and quiet |
| Min. Focus | 2.4m (7.88 ft) |
| Weight | 2,115g (A heavy, professional-class lens) |
| Filter Size | 95mm |
| Teleconverter | Compatible with 1.4x (840mm) and 2.0x (1200mm) |
Sony FE 20mm f1.8 G Lens
The Sony FE 20mm f/1.8 G is a masterclass in modern lens design. It offers ultra-wide perspectives with image quality that rivals the much more expensive G Master series.
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (9-blade rounded diaphragm) |
| Autofocus | Dual XD Linear Motors (Silent, near-instant) |
| Optics | 2 AA (Advanced Aspherical) & 3 ED glass elements |
| Min. Focus | 0.19m (AF) / 0.18m (MF) — Excellent for close-ups |
| Weight | 373g (Ultra-lightweight for its aperture) |
| Filter Size | 67mm |
| Controls | Aperture ring (de-clickable), Focus hold button, AF/MF switch |
Sony FE 24-105mm f4 G OSS Lens
| Feature | Specification |
| Focal Length | 24–105mm (4.4x Zoom Ratio) |
| Aperture | Constant $f/4$ throughout the range |
| Stabilization | Optical SteadyShot (OSS) Built-in |
| Autofocus | Direct Drive SSM (Fast and silent) |
| Min. Focus | 0.38m (1.25 ft) |
| Max Magnification | 0.31x (Excellent for small product details) |
| Weight | 663g (Very manageable for all-day use) |
| Filter Size | 77mm |
Sony FE 24-50mm f2.8 G Lens (Sony E)
The Sony FE 24-50mm f/2.8 G is a modern, ultra-compact standard zoom released in early 2024. It was designed to bridge the gap between small f/4 zooms and the much larger f/2.8 G Master lenses. It targets creators who want that professional background blur without the weight and bulk of a traditional 24-70mm lens.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (11-blade rounded diaphragm) |
| Autofocus | Dual Linear Motors (Silent and high-speed) |
| Min. Focus | 0.18m (Wide) / 0.29m (Tele) — Excellent for close-ups |
| Max Magnification | 0.33x (Respectable near-macro capability) |
| Weight | 440g (Roughly half the weight of the 24-70mm f/2.8 GM) |
| Filter Size | 67mm |
| Controls | Aperture ring (de-clickable), Focus hold button, AF/MF switch |
Sony FE 24-70mm f2.8 GM Lens
The Sony FE 24-70mm f/2.8 GM (Mark I) is the lens that established the "G Master" standard. While the newer Mark II version is lighter and faster, the original Mark I remains a high-performance workhorse in 2026, offering professional-grade resolution and the constant aperture required for high-end commercial work.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (9-blade rounded diaphragm) |
| Optics | 18 Elements in 13 Groups (1 XA, 2 Aspherical, 1 ED, 1 Super ED) |
| Autofocus | Direct Drive SSM (Quiet and high-precision) |
| Min. Focus | 0.38m (1.25 ft) |
| Weight | 886g (Substantial, professional feel) |
| Filter Size | 82mm |
| Coatings | Nano AR Coating (Reduces flare/ghosting) |
Sony FE 24-70mm f4 ZA OSS Lens
The Sony Vario-Tessar T FE 24-70mm f/4 ZA OSS* is a lens with a significant legacy. Developed in partnership with ZEISS, it was the first high-end standard zoom for the Sony full-frame mirrorless system.
| Feature | Specification |
| Aperture | Constant $f/4$ to $f/22$ (7-blade rounded diaphragm) |
| Optics | 12 Elements in 10 Groups (ZEISS T* Anti-Reflective Coating) |
| Stabilization | Optical SteadyShot (OSS) Built-in |
| Min. Focus | 0.40m (1.31 ft) |
| Weight | 426g (Lighter than the 20-70mm f/4 G) |
| Filter Size | 67mm |
| Build | All-metal barrel, Dust & Moisture resistant |
Sony FE 24mm f1.4 GM Lens
The Sony FE 24mm f/1.4 GM is widely considered one of the best wide-angle lenses ever made for any system. It was a milestone for the G Master line, proving that a lens could offer a massive aperture and elite sharpness while remaining incredibly light and compact.
| Feature | Specification |
| Aperture | $f/1.4$ to $f/16$ (11-blade rounded diaphragm) |
| Autofocus | High-power DDSSM (Direct Drive SSM) |
| Optics | 13 Elements in 10 Groups (2 XA, 3 ED elements) |
| Min. Focus | 0.24m (Approx. 9.45 inches) |
| Weight | 445g (Nearly 50% lighter than many competitors) |
| Filter Size | 67mm (Standard for many Sony GM primes) |
| Controls | De-clickable aperture ring, Focus hold button, AF/MF switch |
