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Sony a7C II Mirrorless Camera (Silver)
The Sony a7C II in Silver is a perfect blend of retro-luxury aesthetics and modern full-frame performance. It packs the high-end 33MP sensor from the A7 IV into a body that is significantly smaller and more portable, making it an ideal choice for your shop's daily content creation.
| Feature | Specification |
| Sensor | 33.0MP Full-Frame Exmor R CMOS |
| Processor | BIONZ XR with Dedicated AI Processing Unit |
| Video | 4K 60p (10-bit 4:2:2) / S-Cinetone & S-Log3 |
| Stabilization | 7-Stop In-Body Image Stabilization (IBIS) |
| Autofocus | AI-based Real-time Tracking (Humans, Animals, Birds, Insects) |
| Screen | Side-opening Vari-angle Touch LCD |
| Weight | 514g (Body with battery and card) |
Sony a7C Mirrorless Camera (Black)
The Sony a7C in Black is the discreet, professional twin to the silver model we just discussed. While the silver version has a retro flair, the all-black finish is often preferred by shop owners and videographers for its "stealth" factor—it doesn't draw as much attention during candid shoots and is less likely to cause reflections when you're photographing shiny "newly products" for your website.
| Feature | Specification |
| Sensor | 24.2MP Full-Frame Exmor R CMOS |
| ISO Range | 100–51,200 (Expanded: 50–204,800) |
| Video | 4K 30p / FHD 120p (8-bit 4:2:0) |
| Stabilization | 5-Axis In-Body Image Stabilization (IBIS) |
| Autofocus | 693-point Hybrid AF with Real-time Tracking |
| Battery | NP-FZ100 (Approx. 740 shots per charge) |
| Weight | 509g (Compact and lightweight) |
Sony a7C Mirrorless Camera (Silver)
The Sony a7C in Silver is the camera that redefined how small a full-frame camera could be. It combines the proven 24.2MP sensor of the A7 III with a compact, rangefinder-style body, making it an excellent entry point into full-frame photography for your shop.
| Feature | Specification |
| Sensor | 24.2MP Full-Frame Exmor R CMOS |
| Video | 4K 30p (8-bit) / FHD 120p |
| AF System | 693 Phase-detection points with Real-time Eye AF |
| Stabilization | 5-Axis In-Body Image Stabilization (IBIS) |
| Screen | Side-opening Vari-angle Touch LCD |
| Battery | NP-FZ100 (Up to 740 shots - best in its class) |
| Weight | 509g (World's smallest full-frame at launch) |
Sony a7CR Mirrorless Camera (Black)
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Processor | BIONZ XR with Dedicated AI Processing Unit |
| Video | 4K 60p (10-bit 4:2:2) / S-Cinetone included |
| Stabilization | 7-Stop In-Body Image Stabilization (IBIS) |
| Autofocus | AI-based Real-time Tracking (Humans, Animals, Vehicles) |
| Screen | Side-opening Vari-angle Touch LCD |
| Weight | 430g (Body only - about 20% lighter than the a7R V) |
Sony a7R IV Mirrorless Camera
The Sony a7R IV was a landmark camera, being the first full-frame mirrorless to hit the 61-megapixel mark. While the a7R V (which we just discussed) has faster AI and a better screen, the a7R IV remains a favorite for many studio photographers in Bangladesh because it offers the same incredible 61MP resolution at a significantly lower price point.
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Video | 4K up to 30p (8-bit) |
| Dynamic Range | 15 Stops |
| Autofocus | 567 Phase-detection points with Real-time Eye AF |
| Stabilization | 5.5-Stop In-Body Image Stabilization (IBIS) |
| Viewfinder | 5.76 Million-dot UXGA OLED |
| Card Slots | Dual SD UHS-II Slots |
Sony a7R V Mirrorless Camera
| Feature | Specification |
| Sensor | 61.0MP Full-Frame Exmor R CMOS |
| Processor | BIONZ XR + Dedicated AI Processing Unit |
| Video | 8K 24/25p / 4K 60p (10-bit 4:2:2) |
| Stabilization | 8-Stop In-Body Image Stabilization (IBIS) |
| LCD Screen | 4-Axis Multi-angle (Flips and Tilts) |
| Autofocus | AI-based Real-time Recognition (Humans, Insects, Vehicles) |
| Card Slots | Dual CFexpress Type A / SD UHS-II |
Sony a7S III Mirrorless Camera
The Sony a7S III is the industry-standard "low light king" and the foundation upon which cameras like the ZV-E1 and FX3 were built. While those newer models are specialized for vlogging or cinema, the a7S III remains the best choice for your shop if you need a professional hybrid that feels like a traditional camera but delivers world-class 4K video.
For your website, this camera provides the most reliable performance for long shoots, offering a high-resolution viewfinder and a robust build that can handle years of daily use in your e-commerce studio.
| Feature | Specification |
| Sensor | 12.1MP Full-Frame Exmor R CMOS |
| Video | 4K 120p / 10-bit 4:2:2 Internal |
| Dynamic Range | 15+ Stops (Incredible detail in shadows/highlights) |
| Viewfinder | 9.44 Million-dot EVF (The clearest in the world) |
| Autofocus | 759 Phase-detect points with Real-time Eye AF |
| Stabilization | 5-Axis In-Body (IBIS) |
| Card Slots | Dual CFexpress Type A / SD UHS-II Slots |
Sony Alpha A6400 Mirrorless Digital Camera (Body Only)
The Sony a6400 (Body Only) is the ultimate starting point for a professional mirrorless setup in 2026. While kit lenses are convenient, buying the body alone allows you to skip the basic "kit" glass and invest directly in a high-end lens (like a 35mm f/1.8 or a 16-55mm f/2.8) that will truly elevate your shop's "luxury" brand aesthetic.
| Feature | Specification |
| Sensor | 24.2MP APS-C Exmor CMOS |
| Autofocus | 0.02 sec Acquisition (425 Phase-detect points) |
| Video | 4K 30p (Oversampled from 6K) / S-Log3 & HLG |
| Screen | 180° Tilting Touchscreen (Perfect for vlogging) |
| Viewfinder | 2.36m-dot OLED Tru-Finder |
| Continuous | 11 fps (Mechanical) / 8 fps (Silent Shutter) |
| Battery | NP-FW50 (Approx. 360-410 shots) |
Sony BC-QZ1
The Sony BC-QZ1 Battery Charger is the dedicated high-speed charging solution for the NP-FZ100 Z-series battery. Unlike charging via a USB cable connected to the camera, this wall charger provides a much higher current, significantly reducing downtime for professional shooters using Alpha 7, 9, or 1 series bodies.
| Feature | Details |
| Compatible Battery | Sony NP-FZ100 Lithium-Ion |
| Charging Time | Approx. 150 minutes (2.5 hours) for a full charge |
| Input Voltage | AC 100–240 V, 50 Hz / 60 Hz (Worldwide compatible) |
| Charging Status | 3-stage LED indicator (0–50%, 50–80%, 80–100%, and Fully Charged) |
Sony BC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries
The Sony BC-ZD1 Dual-Battery Charger is a high-performance, compact charging solution released in late 2024. Designed specifically for professional workflows, it allows you to charge two NP-FZ100 batteries simultaneously using USB Power Delivery (USB PD) technology.
Unlike the BC-QZ1, which is a single-bay wall charger, the BC-ZD1 is powered via USB-C, making it ideal for travel and use with high-output power banks.
| Feature | Details |
| Simultaneous Charging | Charges two NP-FZ100 batteries at once |
| Charging Time | Approx. 155 minutes for a full charge of two batteries |
| Power Input | USB Type-C (Requires USB PD 30W or higher for dual charging) |
| Status Indicators | 5-step LED lamps for each battery to show precise progress |
| Safety | Built-in temperature monitoring and heat dissipation control |
Sony E 16-55mm f2.8 G Lens
| Feature | Specification |
| Equivalent Focal Length | 24–82.5mm (Full-frame equivalent) |
| Aperture | Constant $f/2.8$ to $f/22$ (9-blade rounded diaphragm) |
| Autofocus | XD (Extreme Dynamic) Linear Motor |
| Min. Focus | 0.33m (1.09 ft) |
| Max Magnification | 0.2x |
| Weight | 494g (Solid but compact) |
| Filter Size | 67mm |
| Build | Dust and moisture resistant with Fluorine coating |
Sony E PZ 16-50mm f3.5-5.6 OSS II Lens
The Sony E PZ 16-50mm f/3.5-5.6 OSS II (model SELP16502) is the updated successor to the classic kit lens, released alongside the ZV-E10 II in late 2024. While it maintains the same ultra-compact "pancake" form factor as the original, it features significant internal upgrades to autofocus tracking, video stability, and optical consistency.
| Feature | Details |
| Focal Length | 16–50 mm (24–75 mm Full-Frame Equivalent) |
| Lens Mount | Sony E-mount (APS-C) |
| Maximum Aperture | f/3.5 (Wide) – f/5.6 (Tele) |
| Minimum Aperture | f/22 – f/36 |
| Angle of View | 83°–32° |
| Aperture Blades | 7 (Circular diaphragm) |
Sony E PZ 16-50mm f3.5-5.6 OSS Lens
| Feature | Details |
| Focal Length | 16–50 mm (24–75 mm Full-Frame Equivalent) |
| Lens Mount | Sony E-mount (APS-C) |
| Maximum Aperture | f/3.5 (Wide) – f/5.6 (Tele) |
| Minimum Aperture | f/22 – f/36 |
| Angle of View | 83°–32° |
| Aperture Blades | 7 (Circular diaphragm) |
Sony FE 100-400mm f4.5-5.6 GM OSS Lens
The Sony FE 100-400mm f/4.5-5.6 GM OSS is a premier super-telephoto zoom in the G Master lineup. It is highly regarded for its exceptional sharpness and fast autofocus, making it a top choice for sports, wildlife, and even high-end compressed landscape photography.
| Feature | Specification |
| Aperture | $f/4.5$ at 100mm — $f/5.6$ at 400mm |
| Optics | 22 Elements in 16 Groups (1 Super ED, 2 ED elements) |
| Stabilization | Optical SteadyShot (OSS) with 2 modes |
| Min. Focus | 0.98m (3.22 ft) — Class-leading close-focusing |
| Weight | 1,395g (Light for a 400mm GM zoom) |
| Filter Size | 77mm |
| Teleconverter | Compatible with 1.4x (560mm) and 2.0x (800mm) |
Sony FE 135mm f1.8 GM Lens
The Sony FE 135mm f/1.8 GM is widely regarded as one of the sharpest lenses Sony has ever produced. It is a specialized telephoto prime designed for portrait photographers who want the ultimate background separation and "creamy" bokeh that the G Master series is famous for.
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (11-blade rounded diaphragm) |
| Autofocus | Dual front and rear XD Linear Motors |
| Optics | 13 Elements / 10 Groups (XA, Super ED, and ED elements) |
| Min. Focus | 0.7m (2.3 ft) |
| Max Magnification | 0.25x (Excellent for tight detail shots) |
| Weight | 950g (Substantial but balanced) |
| Filter Size | 82mm |
| Controls | De-clickable aperture ring, Focus range limiter, 2 Focus hold buttons |
Sony FE 16-25mm f2.8 G Lens (Sony E)
The Sony FE 16-25mm f/2.8 G is a modern, ultra-compact wide-angle zoom released in April 2024. It is the wide-angle counterpart to the 24-50mm G we discussed earlier. It provides a constant aperture in a body that is significantly smaller and lighter than any G Master wide-angle zoom.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (11-blade rounded diaphragm) |
| Autofocus | Dual XD Linear Motors (Silent, high-speed tracking) |
| Min. Focus | 0.18m (Wide) / 0.24m (Tele) — Excellent for close-ups |
| Max Magnification | 0.20x (AF) / 0.23x (MF) |
| Weight | 409g (Incredibly lightweight) |
| Filter Size | 67mm |
| Controls | Aperture ring (de-clickable), Focus hold button, AF/MF switch |
Sony FE 16-35mm f2.8 GM II Lens (Sony E)
The Sony FE 16-35mm f/2.8 GM II is the refined, second-generation ultra-wide zoom that forms the final piece of Sony’s "Holy Trinity" G Master v2 series. Released in late 2023, it improved upon the original by being smaller, lighter, and optically superior, making it a favorite for high-end landscape, architecture, and commercial work.
| Feature | Specification |
| Aperture | Constant $f/2.8$ to $f/22$ (11-blade circular diaphragm) |
| Autofocus | 4 XD Linear Motors (Blazing fast and silent) |
| Optics | 15 Elements / 12 Groups (1 ED, 1 Super ED, 3 XA elements) |
| Min. Focus | 0.22m (8.6 inches) throughout the zoom range |
| Weight | 547g (Approx. 20% lighter than the Mark I) |
| Filter Size | 82mm |
| Controls | Aperture ring (de-clickable), 2 Focus hold buttons, Iris lock |
Sony FE 16mm f1.8 G Lens
| Feature | Details |
| Focal Length | 16mm |
| Lens Mount | Sony E (Full-Frame) |
| Maximum Aperture | f/1.8 |
| Minimum Aperture | f/22 |
| Angle of View | 107° (Full-Frame), 83° (APS-C) |
| Aperture Blades | 11 (Circular diaphragm) |
Sony FE 16mm f1.8 G Lens (Sony E)
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (11-blade circular diaphragm) |
| Autofocus | Dual XD (Extreme Dynamic) Linear Motors |
| Min. Focus | 0.15m (AF) / 0.13m (MF) |
| Max Magnification | 0.25x (AF) / 0.30x (MF) |
| Weight | 304g (Extremely portable) |
| Filter Size | 67mm (Front screw-in compatible) |
| Build | Dust and moisture resistant with Fluorine coating |
Sony FE 20-70mm f4 G Lens (Sony E)
| Feature | Specification |
| Focal Length | 20–70mm (Starts wider than almost all competitors) |
| Aperture | Constant $f/4$ throughout the zoom range |
| Autofocus | 2 XD Linear Motors (Silent, high-speed tracking) |
| Min. Focus | 0.25m (Manual) / 0.30m (AF) |
| Max Magnification | 0.39x (Near-macro performance) |
| Weight | 488g (Surprisingly lightweight and compact) |
| Filter Size | 72mm |
Sony FE 20-70mm f4 G Lens (Sony E)
The Sony FE 20-70mm f/4 G is a groundbreaking lens that redefined the "standard zoom" category upon its release. By starting at 20mm instead of the traditional 24mm, it offers a significantly wider field of view (about 130% wider) while still reaching the portrait-standard 70mm.
| Feature | Specification |
| Aperture | Constant $f/4$ to $f/22$ (9-blade rounded diaphragm) |
| Autofocus | Dual XD (Extreme Dynamic) Linear Motors |
| Min. Focus | 0.25m (9.8") — Excellent close-up capability |
| Max Magnification | 0.39x (Near-macro performance at 70mm) |
| Weight | 488g (Surprisingly light for its range) |
| Filter Size | 72mm |
| Video Features | De-clickable aperture ring, Focus breathing compensation |
Sony FE 200-600mm f5.6-6.3 G OSS Lens
| Feature | Specification |
| Aperture | $f/5.6$ at 200mm — $f/6.3$ at 600mm |
| Optics | 24 Elements in 17 Groups (5 ED elements, 1 Aspherical) |
| Autofocus | Direct Drive SSM (DDSSM) — Fast and quiet |
| Min. Focus | 2.4m (7.88 ft) |
| Weight | 2,115g (A heavy, professional-class lens) |
| Filter Size | 95mm |
| Teleconverter | Compatible with 1.4x (840mm) and 2.0x (1200mm) |
Sony FE 20mm f1.8 G Lens
The Sony FE 20mm f/1.8 G is a masterclass in modern lens design. It offers ultra-wide perspectives with image quality that rivals the much more expensive G Master series.
| Feature | Specification |
| Aperture | $f/1.8$ to $f/22$ (9-blade rounded diaphragm) |
| Autofocus | Dual XD Linear Motors (Silent, near-instant) |
| Optics | 2 AA (Advanced Aspherical) & 3 ED glass elements |
| Min. Focus | 0.19m (AF) / 0.18m (MF) — Excellent for close-ups |
| Weight | 373g (Ultra-lightweight for its aperture) |
| Filter Size | 67mm |
| Controls | Aperture ring (de-clickable), Focus hold button, AF/MF switch |
Sony FE 24-105mm f4 G OSS Lens
| Feature | Specification |
| Focal Length | 24–105mm (4.4x Zoom Ratio) |
| Aperture | Constant $f/4$ throughout the range |
| Stabilization | Optical SteadyShot (OSS) Built-in |
| Autofocus | Direct Drive SSM (Fast and silent) |
| Min. Focus | 0.38m (1.25 ft) |
| Max Magnification | 0.31x (Excellent for small product details) |
| Weight | 663g (Very manageable for all-day use) |
| Filter Size | 77mm |
